Main Title | To the Future (e176311) |
---|---|
Official Title | x-jat |
Official Title | ja |
Play Length | 25 min |
Air/Release Date | 03.04.2016 |
Tags | no opening segmentAn episode with no opening segment lacks an opening credits segment, commonly known as OP. This tag only applies to anime that ordinarily contain an OP; do not apply to anime that ordinarily do not have an OP. This means that, instead of an opening segment showing up, the main body of the episode plays while the credits show up on the screen, or there aren`t opening credits to begin with; whether or not the song plays in the OP is not relevant for this tag. The inverse case is no ending segment. |
Resources | |
Rating | N/A (3) |
Added by | hidden on 2016-03-26 15:46 |
Edited by | hidden on 2016-11-21 02:12 |
Main Title | To the Future (e176311) |
---|---|
Official Title | x-jat |
Official Title | ja |
Official Title | fr |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
ending | Dream Trigger | 48, 73 | N/A (1) | Vocals/Performed by (歌) | Pile | |
Lyrics (作詞) | Yasuda Sonkou | |||||
Music Composition (作曲) | Hama-Kgn | |||||
Music Arrangement (編曲) | Mirai Show |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Direction (シリーズディレクター) | Ogawa Kouji | 49-73 | |
Series Composition (シリーズ構成) | 境防人 | 49-73 | |
Chief Animation Direction (総作画監督) | Shimizu Hiroshi | 49, 51, 53, 56, 58, 61, 63, 66-67, 69, 71, 73 | |
Colour Design (色彩設計) | Seida Naomi | 49-73 | |
CG Direction (CGディレクター) | Tamura Mami | 66-73 | |
Chief Producer (チーフプロデューサー) | Mizutani Kei | 39-73 | tv asahi |
Washio Takashi | 49-73 | Toei Animation (東映アニメーション) | |
Producer (プロデューサー) | Yanai Hiroshi | 39-73 | tv asahi |
Assistant Producer (アシスタントプロデューサー) | Teramoto Tomosuke | 46-73 | Toei Animation (東映アニメーション) |
Script/Screenplay (脚本) | Yoshino Hiroyuki | 1-3, 7, 11, 14, 19, 22, 25-26, 29, 33, 37, 41, 49, 53, 59, 64, 73 | |
Storyboard (絵コンテ) | Ogawa Kouji | 49, 63, 73 | |
Episode Direction (演出) | Ogawa Kouji | 49, 63, 73, OP3 | |
Assistant Episode Direction (演出助手) | Asakura Maya | 39, 42, 46, 50, 53, 57, 60, 63, 66, 70, 73 | |
Animation Direction (作画監督) | Koizumi Noboru | 7, 15, 23, 31, 38, 46, 54, 63, 73 | |
Key Animation (原画) | Izumi Kyouko | 7, 15, 23, 31, 38, 46, 54, 63, 73 | |
Koizumi Noboru | 7, 15, 23, 31, 38, 46, 54, 63, 73 | ||
In-Between Animation (動画) | Toei Animation Philippines | 1-4, 6-8, 10-12, 14-16, 18-20, 22-24, 26-32, 34-39, 41-46, 48-54, 56-58, 60-63, 65-71, 73 | |
Kagura | 1-2, 4, 6-7, 10-11, 15-16, 18, 23-24, 29-31, 34-39, 41-45, 48-49, 51-52, 54, 62, 69, 73 | ||
Buyuu | 4, 8, 11, 14-15, 18-21, 23, 26-29, 31-32, 35, 37, 44-46, 48-49, 51-54, 56-58, 60-63, 69-70, 73 | ||
Mawatari Hisashi | 7, 10-11, 15-16, 18, 23-24, 28, 34-39, 41-44, 46, 48-54, 56-58, 61, 63, 65, 67, 69, 71, 73 | ||
Watanabe Hiroko | 26, 28, 34-36, 39, 41-43, 53, 73 | ||
Mori Keisuke | 48-49, 54, 63, 73 | ||
Colour Specification (色指定) | Seida Naomi | 8, 11-12, 15-16, 18, 20-24, 26-28, 30-32, 34-35, 37-39, 41-46, 49, 51, 53, 56, 58, 60, 63, 65-66, 69-70, 73 | |
Digital Colouring (デジタル彩色) | Toei Animation Philippines | 1-4, 6-8, 10-12, 14-16, 18-20, 22-24, 26-32, 34-39, 41-46, 48-54, 56-58, 60-63, 65-71, 73 | |
Kagura | 1-2, 4, 6-7, 10-11, 15-16, 18, 23-24, 26, 28-31, 34-39, 41-46, 48-54, 56-58, 61-63, 65, 67, 69, 71, 73 | ||
Buyuu | 4, 8, 11, 14-15, 18-21, 23, 26-29, 31-32, 35, 37, 44-46, 48-49, 51-54, 56-58, 60-63, 69-70, 73 | ||
Finishing/Clean-up Manager (仕上進行) | 松田良平 | 1-73 | |
Art Manager (美術進行) | Honda Kento | 37-73 | |
Digital Art (デジタルアーティスト) | Ueno Yuudai | 59-73 | |
Background Art (背景) | Bihou | 1-73 | |
Jutima Rawangngarn | 1-9, 11-14, 16-17, 19-28, 30-73 | ||
Pisan Kaewma | 1, 5, 9, 17, 22-25, 27-73 | ||
シリ・スパッター | 2-9, 11-14, 16-28, 30-51, 53-61, 63-73 | ||
ポン・メサヤー | 2-7, 11-12, 15, 17-19, 22-23, 27, 31, 36-38, 41-43, 45, 47-49, 52-53, 57, 65, 67, 73 | ||
キット・ウィーラ | 2-4, 6-9, 11-14, 16-73 | ||
ウボン・ルンラット | 2-4, 10-12, 15, 17-18, 23, 27, 38, 41-42, 48-49, 52, 55, 59, 64-65, 68, 73 | ||
Boonruksa Rawangngarn | 4-6, 10, 15-16, 68-71, 73 | ||
ナルン・スリン | 10, 20, 39, 41, 45, 47, 50, 66, 70, 73 | ||
カ・ナッラナン | 11, 17, 20-21, 23-24, 38, 40, 42-43, 45-55, 57-61, 64-65, 67, 69, 73 | ||
サワン・ビパダー | 57-60, 66, 73 | ||
3D Background Modelling (背景3Dモデリング) | Sakurai Mieko | 65-73 | |
Photography (撮影) | Iwata Masayuki | 1-73 | |
Studio Twinkle | 1-73 | ||
Ooi Katsutoshi | 1, 3-73 | ||
Aoki Takashi | 12-13, 19-20, 22-73 | ||
Kamata Katsuaki | 38-42, 45-73 | ||
CG Work Assistance (CG制作協力) | IKIF+ | 1-73 | |
CG Manager (CG進行) | Kume Toshiteru | 50-73 | |
Online Editing (オンライン編集) | Toei Digital Lab | 1-73 | |
Konno Haruka | 27-73 | ||
Sakai Mikiko | 27-73 | ||
Recording (記録) | Ogawa Mamiko | 1-73 | |
Recording (録音) | Matsuda Satoru | 1-73 | |
Recording Engineer (スタジオエンジニア) | 甘糟亮 | 1-73 | |
Recording Studio (録音スタジオ) | Toei Digital Center | 1-73 | |
Acting Office Work (演技事務) | 上保裕資 | 1-73 | |
Publicity (宣伝) | 小枝加奈 | 1-73 | |
Publicity Assistance (宣伝協力) | Dentsu | 1-73 | |
Toei Agency | 1-73 | ||
Design Manager (設定管理) | Asakura Maya | 49-73 | |
Assistant Production Manager (製作進行) | Matsui Shou | 51, 54, 58, 62, 65, 67, 70, 73 | |
Assistance/Cooperation (協力) | Aoni Production | 1-73 | |
Shuukan Shounen Jump Henshuubu | 1-73 | ||
Saitou Yuu | 37-73 | ||
戸上郁子 | 55-73 |
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