Main Title | It Would Be Embarrassing When We Met Again (e277502) |
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Official Title | x-jat |
Official Title | ja |
Play Length | 25 min |
Air/Release Date | 22.03.2024 |
Tags | post-credits sceneA little bit of the story is found after the credit titles. A little bonus for those patient enough! This applies regardless of if the credits play over an ED sequence, or over the "regular episode" that continues to air into the credits. A sequence at the end of an episode, showing what will happen in the next episode, is NOT a post-credits scene; that is a preview. |
Resources | |
Rating | 9.18 (20) |
Added by | hidden on 2024-02-16 17:06 |
Edited by | hidden on 2024-03-22 17:00 |
Main Title | It Would Be Embarrassing When We Met Again (e277502) |
---|---|
Official Title | x-jat |
Official Title | ja |
Official Title | fr |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Hareru | 17-28, OP2 | N/A (4) | Vocals/Performed by (歌) | Yorushika | |
Lyrics (作詞) | N-buna | |||||
Music Composition (作曲) | N-buna | |||||
Music Arrangement (編曲) | N-buna | |||||
ending | Anytime Anywhere | 1-14, 16-28, ED1a-ED1b | N/A (5) | Vocals/Performed by (歌) | Milet | |
Lyrics (作詞) | Milet | |||||
Music Composition (作曲) | Nomura Youichirou | |||||
Music Arrangement (編曲) | Evan Call |
Script/Screenplay (脚本) | Suzuki Tomohiro | 1-28 | |
Storyboard (絵コンテ) | Saitou Keiichirou | 1, 11, 21, 26, 28, OP1-OP2 | |
Episode Direction (演出) | Saitou Keiichirou | 28, OP1-OP2 | |
Animation Direction (作画監督) | Harashina Daiki | 3, 5, 12, 24, 28 | |
Takase Maru | 6, 12, 28 | ||
Yoshikawa Shin`ichi | 11, 21, 25, 28 | ||
World View Illustration (世界観イラスト) | Yoshioka Seiko | 3, 7, 15-16, 20-21, 24-25, 28 | |
Crest Inspection Assistance (紋章考査協力) | 池上俊一 | 1-28 | |
Magic Circle Inspection Assistance (魔法陣考査協力) | 池上俊一 | 1-28 | |
Key Animation (原画) | Li Jianxiu | 1-3, 8, 21, 23, 28, OP1-OP2 | |
Matsumura Yoshiko | 1, 3, 6, 10, 24, 28, OP1-OP2 | ||
Ootsuka Shinji | 1, 8, 12, 15, 28, OP1-OP2 | ||
Kamezawa Ran | 1, 10-11, 25-26, 28, OP1-OP2 | ||
Kerorira | 1, 10, 28, OP1-OP2 | ||
Tsuji Ayaka | 1, 28, OP1-OP2 | ||
Kobashi Hiroyuki | 2, 4-6, 9, 11, 21, 25-26, 28, OP1-OP2 | ||
Takagi Harumi | 2, 4, 12, 28, OP2 | 髙木晴美 | |
Tanaka Daiki | 2, 5, 16, 28, OP1-OP2 | ||
Iwazawa Tooru | 3, 9, 21, 28, OP1-OP2 | ||
Kojima Keisuke | 7, 28 | ||
Harano Runa | 9, 11, 15, 28 | ||
Uchiyama Genki | 9, 24, 28, OP2 | ||
Yanagisawa Kanata | 11, 27-28, OP2 | ||
Watanabe Miki | 12, 21, 24, 28 | ||
Seguchi Izumi | 15, 28, OP1 | ||
Saitou Keiichirou | 28 | ||
China | 28, OP1 | ||
2nd Key Animation (第二原画) | Madhouse | 1-6, 8-12, 15-16, 20-21, 23-28 | |
Kojima Takehiro | 1-6, 8-12, 16, 21, 23-24, 28 | ||
佐藤駿斗 | 3-5, 8-9, 11-12, 15, 20-21, 23, 25-28 | ||
Hiroe Keisuke | 6, 28 | ||
Nagasaka Keita | 18-19, 21-22, 27-28 | ||
Takimoto Tomomi | 20-21, 24-28 | ||
Matsumura Yuuka | 20-21, 28 | ||
Mori Kouta | 25, 27-28 | ||
In-Between Animation Inspection (動画検査) | Kobayashi Hisana | 1-6, 9, 11-12, 15-16, 20-21, 23-28, OP1 | |
Ooguchi Akane | 1-6, 9, 11-12, 15-16, 20-21, 23-28, OP1-OP2 | ||
Kosugi Akari | 4-6, 9, 11-12, 15-16, 20-21, 23-28, OP1-OP2 | ||
In-Between Animation (動画) | DR Movie | 1-6, 8-12, 15-16, 20-21, 23-28, OP1-OP2 | |
Madhouse | 1-6, 8-12, 15-16, 20-21, 23, 25-28, OP1-OP2 | ||
大西夕海 | 1-5, 8-12, 15-16, 23, 26-28, OP1-OP2 | ||
Miura Sayu | 1-4, 6, 8-12, 15-16, 21, 23, 25, 28, OP1-OP2 | ||
Koizumi Ikuno | 1-4, 6, 8-12, 15-16, 23, 27-28, OP2 | ||
Yamanaka Kanako | 1-4, 8-12, 15-16, 23, 25, 27-28, OP2 | ||
Tashiro Ayana | 1-3, 5-6, 8-12, 15-16, 23, 28, OP1-OP2 | ||
張伊人 | 1-3, 8-9, 11-12, 15-16, 20, 23, 25, 28, OP2 | ||
下野正寛 | 2-6, 9, 11-12, 15-16, 27-28, OP2 | ||
趙翊彤 | 2-5, 9, 11, 15, 28, OP1-OP2 | ||
石帆 | 2-3, 5, 9, 11-12, 15-16, 20, 23, 27-28, OP1-OP2 | ||
MAA Mopics | 2, 4, 6, 8-12, 15-16, 20-21, 23, 25-28, OP2 | ||
鈴木渚沙 | 9, 12, 15-16, 20, 27-28, OP2 | ||
木村かのう | 10-11, 15-16, 27-28, OP2 | ||
Shenzhai Donghua | 15-16, 20-21, 23-28 | as 杭州神在動画 | |
鈴木大士 | 15-16, 23, 27-28, OP2 | ||
Saitou Mikyou | 26, 28 | ||
Bridge | 28 | ||
Silver Link | 28 | ||
Colour Specification (色指定) | 髙木のどか | 2, 11, 15, 20, 25, 28 | |
Finishing/Clean-up Inspection (仕上げ検査) | 髙木のどか | 2, 6, 11, 15, 20, 25, 28 | |
Finishing/Clean-up (仕上げ) | DR Movie | 1-6, 8-12, 15-16, 20-21, 23-28, OP1-OP2 | |
Studio Elle | 1-6, 8-12, 15-16, 20-21, 23-28, OP1-OP2 | ||
MAA Mopics | 4, 6, 8-12, 15-16, 20-21, 23, 25-28, OP2 | ||
Shenzhai Donghua | 15-16, 20-21, 23-28 | as 杭州神在動画 | |
Background Art (背景) | Studio Wyeth | 1-28 | |
Suwa Harumi | 1-7, 12-15, 17-19, 22-23, 25-28 | ||
Haga Hitomi | 1-4, 18-19, 23, 26-28 | ||
Kobayashi Yuuko | 1-2, 4-5, 7-8, 11-12, 14-15, 17-20, 23, 25-26, 28 | ||
Sawaya Kenta | 1-2, 5-7, 10, 15, 19-22, 26-28 | ||
Araki Junko | 1-2, 7-8, 13, 15-17, 19-20, 22-24, 27-28 | ||
Nagasaki Hitoshi | 1, 3-5, 7, 23, 28 | 長﨑斉 | |
新見恵利 | 1, 3, 28 | ||
Taniguchi Michiko | 1, 4-5, 7, 13, 15, 19, 21, 27-28 | ||
Ooiwa Rieko | 2-4, 6, 8, 11, 13, 15, 17-18, 20, 23, 26-28 | ||
小山紗代 | 2-4, 6, 8, 14-17, 28 | ||
中野瑞希 | 2-3, 5-6, 8, 10-12, 15-16, 21, 25-28 | ||
Sasaki Mai | 2-3, 5-6, 9, 11, 13-14, 21, 23-24, 26, 28 | ||
Tsukioka Aina | 2-3, 5-6, 9, 12-18, 20, 22, 25-26, 28 | ||
Doi Noriyoshi | 2-3, 7-12, 14-22, 24-28 | ||
Hasegawa Tooru | 2-3, 7, 9, 11, 14, 16-20, 23, 26-28 | ||
Fujiwara Tomomi | 2, 4, 7-9, 11-15, 17-28 | ||
Suzuki Ryouhei | 2, 10, 15, 24, 27-28 | ||
Andou Riho | 5-13, 18, 20, 24, 28 | ||
Shukunobe Riku | 18, 28 | ||
Makino Takao | 28 | ||
Nakata Akane | 28 | ||
Orange Animation | 28 | ||
Special Effects (特殊効果) | Tsugioka Mitsuki | 2-17, 20-28 | |
Photographic Direction Assistance (撮影監督補佐) | Tsugioka Mitsuki | 1-28 | |
Photography (撮影) | Mad Box | 1-28 | |
Oda Raimu | 1-28 | ||
Hagiwara Mika | 5-28 | ||
Asura Film | 16, 18, 20, 26-28 | ||
Miyashita Kana | 16, 18, 20, 26-28 | ||
伍偉明 | 18, 26-28 | ||
Gotou Akane | 22-28 | ||
Title Logo (タイトルロゴデザイン) | 石沢将人 | 1-28 | Bay Bridge Studio (ベイブリッジ・スタジオ) |
Online Editing (オンライン編集) | Imagica Entertainment Media Services | 1-28 | Imagica EMS |
中野雅俊 | 1-28 | ||
Kuwabara Reimon | 5-7, 10-12, 14-28 | ||
Lab Manager (ラボマネージャー) | Ogawa Hikaru | 1-28 | |
青柳浩司 | 1-28 | ||
Foley (フォーリー) | Sogou Keisuke | 1-28 | |
Recording (録音) | Matsushita Haruka | 1-28 | |
Recording Studio (録音スタジオ) | Sound Team Don Juan | 1-28 | studio Don Juan |
Web Design (ホームページ制作) | Salt Inc. | 1-28 | |
Watanabe Yuuichi | 1-28 | ||
齋藤舞 | 1-28 | ||
Promotion (販売促進) | Aikawa Mai | 1-28 | |
佐藤風子 | 1-28 | ||
Promotion Assistance (プロモーションパートナー) | NNSコンテンツパートナー委員会 | 1-28 | |
Publicity Producer (宣伝プロデューサー) | Shimoyama Ryou | 1-28 | |
Publicity (パブリシティ) | Kurisu China | 1-28 | |
Sakaguchi Sora | 1-28 | ||
Seino Koharu | 1-28 | ||
Thirty-three | 1-28 | ||
Publicity (宣伝) | 杉中実 | 1-28 | |
栢森美奈子 | 1-28 | ||
牛田絢子 | 1-28 | ||
齋藤真緒 | 1-28 | ||
Publicity Design (宣伝デザイン) | Kusano Tsuyoshi | 1-28 | |
Kusano Tsuyoshi Design Jimusho | 1-28 | ||
西山愛香 | 1-28 | ||
Overseas Marketing (海外セールス) | Honma Kumiko | 1-28 | |
Kamei Reiga | 1-28 | ||
Komatsu Shion | 1-28 | ||
加藤江里子 | 1-28 | ||
緒方星奈 | 1-28 | ||
Domestic Licence (国内ライセンス) | Sugimoto Takurou | 1-28 | |
栗原未紗 | 1-28 | ||
白井由依 | 1-28 | ||
菅谷尚子 | 1-28 | ||
諏訪珠里 | 1-28 | ||
Organisation (編成) | Shiode Masaki | 17-28 | |
PV Work (PV制作) | Yoda Nobutaka | 1-28 | 10 Gauge (10 GAUGE) |
Design Manager (設定制作) | Taguchi Yumeka | 1-28 | |
Production Desk (制作デスク) | Hayakawa Sara | 1-28 | |
Assistant Production Manager (制作進行) | 上村喜士 | 15, 28 | |
Videogram (ビデオグラム制作) | Satou Yuuji | 1-28 | |
Yoshikawa Atsushi | 1-28 | ||
Domestic Distribution (国内配信) | Iwahashi Kouhei | 1-28 | |
Okuda Mayu | 1-28 | ||
吉田洸 | 1-28 | ||
関口貴史 | 1-28 | ||
Overseas Marketing (海外マーケティング) | 原祐馬 | 1-28 | |
天野斐紗子 | 1-28 | ||
草野友 | 1-28 |
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