Main Title | In the Midst of Turmoil (e212841) |
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Official Title | x-jat |
Official Title | ja |
Play Length | 25 min |
Air/Release Date | 13.03.2019 |
Tags | flashbackA flashback is a moment where events from the past are recounted. Flashbacks are used primarily to give insight into a character`s mind or to reveal information previously kept from the audience. They normally consist of mostly new content; they are different from and should not be confused with recaps, where old content is shown again for no particular purpose. Generally, to qualify as a flashback, the scene must advance the narrative. The opposite is a flashforward. See also in medias res. |
Resources | |
Rating | 7.36 (15) |
Added by | hidden on 2019-02-20 18:02 |
Edited by | hidden on 2019-03-13 22:25 |
Main Title | In the Midst of Turmoil (e212841) |
---|---|
Official Title | x-jat |
Official Title | ja |
Official Title | fr |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Rise | 2-12, OP1 | N/A (5) | Vocals/Performed by (歌) | Madkid | |
Lyrics (作詞) | Madkid | |||||
Music Composition (作曲) | Madkid | |||||
Music Arrangement (編曲) | Madkid | |||||
ending | Kimi no Namae | 2-3, 5-12, 25, ED2 | N/A (2) | Vocals/Performed by (歌) | Fujikawa Chiai | |
Lyrics (作詞) | Takahashi Hana | |||||
Music Composition (作曲) | Oohata Takuya | |||||
Music Arrangement (編曲) | Fujinaga Ryuutarou |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Script/Screenplay (脚本) | Ezaki Ooine | 2-4, 9-10, 13-15, 22 | |
Storyboard (絵コンテ) | Abo Takao | 1, 4, 10, 15, 20-21, 25, ED2, ED4 | |
Episode Direction (演出) | Takahashi Jun | 10 | as 髙橋順 |
Animation Direction (作画監督) | Ootaka Yuuta | 1-2, 4, 7, 10, 15, 21-23, 25 | |
Yamamura Shunsuke | 1, 4, 7, 10, 18, 20-21, 24-25 | ||
Shimizu Kaito | 10, 13-15, 19-25 | ||
Creature Animation Direction (モンスター作画監督) | Takakura Takeshi | 6, 9-10, 16 | |
Key Animation (原画) | Uchida Shin`ya | 1-7, 9-10, 12-15, 17, 19-22, 24, OP1 | |
Arakawa Masatsugu | 1-2, 4-5, 7, 9-12, 21, 25, OP1 | ||
Kakiuchi Ayako | 2, 5, 10-11, 14, 17, 20, 22-23, 25 | ||
Yamada Yuuichirou | 2, 5, 10, 13, 19 | ||
Okuno Hiroyuki | 2, 10, 21 | ||
Yoshino Mitsuzumi | 4, 10 | ||
Hayano Masaki | 7, 10 | ||
Yamada Shuntarou | 9-10 | ||
Hara Takako | 10 | ||
Iwamura Takeshi | 10 | ||
Kon Kyouko | 10 | ||
Yamanaka Izumi | 10 | ||
山川夏 | 10 | ||
Okazaki Nobuhiro | 10, 13, 17, 22, 24 | ||
Yoshikai Junko | 10, 13, 19, 21 | ||
Imura Manabu | 10, 13, 19, 21, 24 | ||
Satou Yoshitaka | 10, 13, 21 | ||
Takano Yukari | 10, 15, 21 | ||
茶岡志蔵 | 10, 16 | ||
Mototani Keiko | 10, 17, 21-22 | ||
2nd Key Animation (第二原画) | Anitus-Kobe | 2-4, 8-13, 16, 20 | |
Dannoura Hironobu | 2, 4, 6, 10-11, 15, 21, OP2 | ||
Suda Rikiya | 2, 10, 13, 19, 24 | ||
IngresA | 2, 10, 16 | ||
White Fox Izukougen Studio | 3, 8-11, 13-21, 23-25 | ||
Kamomiya Hiroki | 3, 10-11, 14, 16-21, 24-25 | ||
Sekimoto Miho | 4-6, 10, 12, 21-22 | ||
Nakamura Production | 4, 6-7, 9-10, 15, 17, 23 | ||
Saitou Rie | 4, 7, 9-12 | ||
Ootsuki Chie | 5, 9-10 | ||
C-Station | 8-10 | ||
Shimizu Kaito | 8, 10, 13-14, OP2 | ||
Fujiura Takashi | 9-10, 15 | ||
Kadokura Yooko | 10 | ||
Kudou Toshiharu | 10 | ||
Okazaki Kurumi | 10 | ||
Suzuki Ichirou | 10 | ||
Yamamoto Ayaka | 10 | ||
鎌田結子 | 10 | ||
齋藤佑香 | 10 | ||
Kamomiya Mizuki | 10-11, 14, 16-18, 20, 24-25 | ||
Sera Kouta | 10, 13, 18-19, 23 | ||
Hirotomi Mayu | 10, 14 | ||
Kawakami Erika | 10, 16 | ||
Sakasai Atsumi | 10, 21, 23 | ||
Mori Kouta | 10, 21, OP2 | ||
In-Between Animation Inspection (動画検査) | Min Kyung-ae | 1-25, OP1-OP2 | |
Studio Bus | 1-25, OP2 | ||
Kinema Citrus | 1-2, 4-13, 15-25, ED4, OP2 | ||
Suzuki Misa | 1, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, ED4, OP1-OP2 | ||
In-Between Animation (動画) | Park Eun-ji | 1-15 | |
Lim Ji-hee | 1-25 | ||
Min Kyung-ae | 1-25 | ||
Park Kyung-sook | 1-25 | ||
Studio Bus | 1-25, OP1 | ||
Ham Tae-hyeon | 10-11 | ||
Kim Min-Ju | 10-15 | ||
In-Between Animation Manager (動画担当) | Honda Kouichi | 1-12 | |
Digital In-Between Animation (デジタル動画) | Gift-o`-Animation | 1-6, 8-11, 15-22, 25 | |
Kakei Miyuki | 1-6, 8-11, 15-18, 20-22, 25 | ||
木下真澄 | 1-2, 4-6, 8-11, 15-18 | ||
早瀬未悠 | 2-3, 5-6, 8-11, 15-18, 20-22, 25 | ||
城彩花 | 2, 4-6, 8-11, 15-19 | ||
Kinema Citrus | 3-25, ED4, OP2 | ||
Saitou Honami | 3, 6, 8-25, OP2 | ||
Iwata Mai | 3, 6, 8-12, 14-17, 21-25, ED4 | ||
Uetake Yuuya | 3, 7-12, 14, 18, 20, 22, 24-25, ED4 | ||
Asahi Production | 4-5, 10, 25 | ||
Suzuki Misa | 4, 6, 8, 10, 12, 14, 18, 20, 22, 24-25 | ||
Kudou Mana | 5-8, 10-25, ED4, OP2 | ||
Misawa Mizuki | 5, 8-11, 25, ED4 | ||
Maeda Chikage | 6-25, ED4, OP2 | ||
伊野波沙玖美 | 6-25, OP2 | ||
Dogwood | 7-10, ED4, OP1-OP2 | ||
Takahashi Chihiro | 8-11, 13, 15-17 | ||
等々力里菜 | 9-20, 22-25, ED4, OP2 | ||
Colour Specification (色指定) | Yamazaki Tomoko | 10 | |
Finishing/Clean-up Inspection (検査) | Yamazaki Tomoko | 10 | |
Finishing/Clean-up (仕上げ) | Gift-o`-Animation | 2-6, 8-11, 15-22, 25 | |
Kakei Miyuki | 2-6, 8-11, 15-18, 20-22, 25 | ||
Park So-yoon | 2-3, 5-10 | ||
Seol Hyun-jong | 2-3, 5-10 | ||
Kim Jung-hye | 2-3, 5-25 | ||
Lee Byeong-Ae | 2-3, 5-25 | ||
Lee Ji-Eun | 2-3, 5-25 | ||
Studio Bus | 2-3, 5-25, OP1-OP2 | ||
Kim Tae-hee | 2-3, 5-18, 20-25 | ||
早瀬未悠 | 2-3, 5-6, 8-11, 15-18, 20-22, 25 | ||
木下真澄 | 2, 4-6, 8-11, 15-18 | ||
城彩花 | 2, 4-6, 8-11, 15-19 | ||
Kinema Citrus | 3-25, ED4, OP1-OP2 | ||
Matsumoto Mai | 3-20, 23, 25, ED2, ED4, OP1-OP2 | ||
渡邉由佳 | 3-20, 23, 25, ED2, ED4, OP1-OP2 | ||
Okamatsu Anna | 3-17, 19-20, 25, ED2 | ||
Na Jong-ah | 3, 5-25 | ||
Saitou Honami | 3, 6, 8-25 | ||
Iwata Mai | 3, 6, 8-12, 14-17, 21-25 | ||
Uetake Yuuya | 3, 7-12, 14, 18, 20, 22, 24-25 | ||
Asahi Production | 4-5, 10, 25 | ||
Suzuki Misa | 4, 6, 8, 10, 12, 14, 18, 20, 22, 24-25 | ||
Kim Eun-kyeoung | 5-25 | ||
Kudou Mana | 5-8, 10-25 | ||
Misawa Mizuki | 5, 8-11, 25 | ||
Maeda Chikage | 6-25 | ||
伊野波沙玖美 | 6-25 | ||
Dogwood | 7-25, ED4, OP1-OP2 | ||
Takahashi Chihiro | 8-11, 13, 15-17 | ||
等々力里菜 | 9-20, 22-25 | ||
Finishing/Clean-up Manager (仕上担当) | Honda Kouichi | 1-12 | |
Art Manager (美術担当) | Studio Uni | 2-15, 17, 19 | |
Akashi Seiko | 5-15, 17, 19 | ||
Background Art (背景) | Studio Sey | 3-5, 8, 10-15, 17, 19 | |
An Seong-Yong | 4-5, 8, 10-15, 17, 19 | ||
曺在鉉 | 4-5, 8, 10-15, 17, 19 | ||
曺志雲 | 5, 8, 10 | ||
Kim Gyeong-Suk | 5, 8, 10-15, 17, 19 | ||
Modelling (3Dモデラー) | Uchida Kazuma | 1, 3-25 | |
後藤裕之 | 1, 3-25 | ||
藤岡浩史 | 1, 3-25 | ||
金井一弘 | 1, 3-25 | ||
Photography (撮影) | Akao Emi | 1-25 | |
Kajiwara Yukiyo | 1-25 | ||
T2 Studio | 1-25, ED2, ED4, OP1-OP2 | ||
Watanabe Tatsuya | 4-7, 9-25 | ||
兼久卓 | 9-25 | ||
3DCG Animation (CGアニメーター) | Ikeuchi Ryuuichi | 1, 3-25 | |
Nishino Hayato | 1, 3-25 | ||
Tanida Makiko | 1, 3-25 | ||
Maruyama Kaori | 3-25 | ||
ショウ・エンテイ | 4-25 | ||
3DCG | Orange | 1, 3-25, ED4, OP1-OP2 | |
Line Test (ラインテスト) | Team Home | 6-19, 21-22, 24 | |
Publicity (宣伝) | Yamamoto Kyouka | 1-12 | |
Copyright Manager (版権担当) | 山田葵 | 1-12 | |
Assistant Design Manager (設定制作補) | Ogata Ryousuke | 1-12 | |
Assistant Production Manager (制作進行) | 松橋夏希 | 2, 4, 10 | |
山田葵 | 2, 5, 10 | ||
岩奥沙紀 | 10, 13, 16, 21 |
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